![]() ![]() Grand thoughts apart, we also find pure joy simply witnessing the romance of space travel, gracefully unfolding in front of us in ways we have never seen before nor since Kubrick. We realise that we, humans are fundamentally a link between apes and yet, undiscovered higher intelligence. We are both proud of human ingenuity and feared of our own potential discoveries, such as the power of AI that may reveal one day that it has a conscience of its own. Not merely a documentary about the future, the film touches us emotionally, philosophically, and even spiritually. Following the Odyssey, structured as a three-part story of evolution, discovery, and the journey into the unknown, we are grappled with fundamental questions about human origins, our destiny, search for intelligent life beyond earth, and what is becoming acutely sensitive in our own time, the relationship between the human and machine. tone changeOn a more serious note, Australian Bushfires are currently raging across the country. Hypnotic, confidently slow, and calculated to be moderately ahead of its time, Kubrick’s visually stunning journey is accompanied by divinely penetrating music by Aram Khachaturian and Strauss, both Johann and Richard, only occasionally interrupted by few dialogues that are unremarkable, for the most part. To the left is a model of the Discovery centrifuge set, designed by Harry Lange Image Credit: Courtesy of Thanassi Karageorgiou / Museum of the Moving Image A model of the Discovery One spaceship hangs above a gallery. The exhibit is an in-depth look at the creative process and insights behind what many authoritative film critics see as a true masterpiece and some even regard it as the greatest film ever made.Įnvisioning 2001: Stanley Kubrick's Space Odyssey, on view at the Museum of the Moving Image. The show is devoted entirely to the 1968 epic science fiction film by legendary director Stanley Kubrick (1928-1999). Currently it is hosting a blockbuster exhibition Envisioning 2001: Stanley Kubrick's Space Odyssey, which will remain on view here until July 19. The Museum of the Moving Image in New York utilises these know-hows in presenting all of its shows. But how would one attract interest to presentations about a person’s life, an event, a movement, a book, a building, or a film? How do you tell a story and leave plenty of space for visitors’ imagination? That’s when exhibition curators and designers rely on employing such techniques as storytelling, representation, and, of course, exhibition design. Such evocative encounters are based on interpretations rather than facts. In a piece I did on Apples Siri for Time Magazine in 2016. Such explanations may help to decode hidden messages or ignite our own imagination in ways that are completely contradictory to artists’ original intentions. However, in 1968, with the release of 2001: A Space Odyssey voice recognition and AI were popularized when the movies computer. It is what it is – here is the work of art and there is a title and annotation next to it. Art shows are a natural draw – they introduce visitors to original works. The exhibitions long have become a popular experience. ![]()
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